Bringing aerial colors back to life, which get muddy or lost when the camera is too far above the subject, and has to film through haze, dirty air and into the sun sometimes. Often times, this footage must be stabilized as well, as were all of these clips. Make sure to watch it in HD.
Underwater footage is the true test for a professional colorist. Warm colors fade right away and images take on a blue/grey cast in most cases. Restoring those lost colors, and making them look lively and saturated, is a skill that few can master. Make sure to watch it in HD.
Raw footage, from high end cinema cameras like RED, Sony or Arri, can be tricky to grade with its desaturated look, but when done right, it offers the greatest results thanks to the flexibility and quality of the source. Make sure to watch it in HD.
Skin tones need to be faithful, but also warm and flattering, and while we're at it, why not remove blemishes and wrinkles? Of course, the skin grade should not affect the background grade, which should be manipulated separately to compliment the persons in the scene. Make sure to watch it in HD.
Action grades need to showcase the subject and their environment in vivid color and detail, while action footage for fiction should underline the mood or feel. Make sure to watch it in HD.